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谁在发言?

Who is speaking?
课程网址: http://videolectures.net/mit4303f06_moeller_lec02/  
主讲教师: Regina Maria Moeller
开课单位: 麻省理工学院
开课时间: 2009-09-10
课程语种: 英语
中文简介:
“Regina Maria Moeller将她的艺术作品分成了许多不同的声音,这些声音与她面对的事物所采取的各种立场相对应。类似于重叠的圆圈形成交叉点的方式,将以前的外围材料转换成(新的)中心,Moeller转移注意力并重新洗牌,可以说:次要的角色成为主角,连贯成为内容,相反的对象被剥夺了他们的对立面。Moeller使用了媒体固有的策略,为自己的目的重写和改编这些策略,并表明在官方解释的下方和旁边总是有许多不同的版本。”(Matthias Herrmann in:Regina Moeller:Implement–Dress Plot,Exhibition Catalogue Secentation,Vienna 2004)Regina玛丽亚·莫勒住在柏林。她在慕尼黑/德国路德维希马克西米利安大学学习艺术教育、艺术史和中世纪历史。她是杂志《雷吉娜》的创始编辑,也是商标实施例的创造者。Regina Moeller是麻省理工学院视觉艺术项目秋季学期06的客座教授。里贾娜玛丽亚·莫勒将她的作品置于艺术、时尚和漫画的边缘领域。她采取了各种形式的当代文化交流,并对其身份形成、经济和功能内涵进行了反思。例如,在她的杂志《雷吉娜》中,她改编了女性杂志的语言,自20世纪90年代末以来,她就在该杂志上获得了广泛的读者群。通过微妙的转变,她挖掘了女性身份的共同结构。与此平行的是,自1993年以来,Regina Moeller根据自己的标签设计了服装、地毯、家具和内部装饰。
课程简介: ”The multitude of voices into which Regina Maria Moeller splits her artistic work corresponds to the various positions she adopts with regard to that which she confronts. Similar to the way in which overlapping circles form intersections that shift previously peripheral material into a (new) center, Moeller shifts attention and reshuffles the cards, so to speak: secondary characters become protagonists, coherencies become contents, opposites are robbed of their oppositions. Moeller uses the strategies inherent in her media, overwriting and adapting them for her own purposes, and shows that there are always a number of different versions underneath and alongside the official interpretation.” (Matthias Herrmann in: Regina Moeller: embodiment – dress plot, exhibition catalogue Secession, Vienna 2004) Regina Maria Moeller lives in Berlin. She studied art education, art history and history of middle ages at the Ludwig Maximilians University in Munich / Germany. She is the founding editor of the magazine regina and the creator of the label embodiment. Regina Moeller is visiting professor for the fall term 06 at MIT’s Visual Arts Program. Regina Maria Moeller situates her works in the border realm of art, fashion, and comics. She takes various formats of contemporary cultural communication and reflects on their identity-forming, economic, and functional connotations. For example, in her magazine regina, with which she has reached a broad readership since the late 1990s, she adapts the language of women’s magazines. Through subtle shifts she under-mines the common constructions of female identity. Parallel to this, Regina Moeller has designed clothing, carpets, furniture, and inner decor under her own label embodiment since 1993.
关 键 词: 艺术作品; 美术教育; 视觉艺术; 文化交流
课程来源: 视频讲座网
最后编审: 2019-12-27:lxf
阅读次数: 56