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现代音乐：1900-1960
21M.262 Modern Music: 1900-1960 |
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| 课程网址: |
http://ocw.mit.edu/courses/music-and-theater-arts/21m-262-modern-...
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| 主讲教师: |
Prof. Michael Scott Cuthbert
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| 开课单位: |
麻省理工学院
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| 开课时间: |
信息不详。欢迎您在右侧留言补充。
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| 课程语种: |
英语
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| 中文简介: |
本课程涵盖音乐史的一个特定分支：二十世纪前六十年的西方音乐会。虽然我们将听和学习许多作品（大多数是最高口径的），这门课程的目标不仅仅是在我们的记忆中建立一个作品库（尽管这确实是一个目标）。我们将最关心的是音乐的连续性和变化的更大问题。我们也会考虑接受问题，或者说历史学，也就是说，历史的创造和我们对它的感知。为什么我们对这些音乐的感知，比莫扎特或贝多芬更接近于我们，如此的陌生？这种音乐与二十世纪的流行音乐是分离的还是有真正的联系（也许是隐藏的）？在1960年之前，这个主题将继续遵循一些对音乐感兴趣的主题，比如连续主义和阿莱厄式的主题，超越了1960年的界限。相反，一些在1960年前就开始了，但后来很流行的话题（极简主义，计算机音乐）将只在21M.263中涉及。
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| 课程简介: |
This subject covers a specific branch of music history: Western concert music of first sixty years of the twentieth century. Although we will be listening to and studying many pieces (most of the highest caliber) the goal of the course is not solely to build up a repertory of works in our memory (though that is indeed a goal). We will be most concerned with larger questions of continuity and change in music. We will also consider questions of reception, or historiography - that is, the creation of history and our perception of it. Why do we perceive much of this music, so much closer in time to us than Mozart or Beethoven, to be so foreign? Is this music aloof and separate from popular music of the twentieth century or is there a real connection (perhaps hidden)? The subject will continue to follow some topics of central interest to music before 1960, such as serialism and aleatory, beyond the 1960 cutoff. Conversely a few topics which get their start just before 1960 but which flourish later (minimalism, computer music) will be covered only in 21M.263.
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| 关 键 词: |
现代音乐; 二十世纪音乐; 音乐会; 古典音乐; 音乐史
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| 课程来源: |
信息不详。欢迎您在右侧留言补充。
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| 最后编审: |
2017-05-03：lkn
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| 阅读次数: |
30
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图 书 馆