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第6讲-堂吉诃德,第一部分:第21-26章

Lecture 6 - Don Quixote, Part I: Chapters XXI-XXVI
课程网址: http://videolectures.net/yalespan300f09_echevarria_lec06/  
主讲教师: Roberto González Echevarría
开课单位: 耶鲁大学
开课时间: 信息不详。欢迎您在右侧留言补充。
课程语种: 英语
中文简介:
关于文学的本质和真实的重要思考发生在本课评论的章节中。现实甚至对堂吉诃德来说都很奇怪在尸体那一章,死亡成为了一种存在。堂吉诃德似乎意识到他的冒险故事是在我们读的时候写成的。他与乡绅的关系在《锤击群英》一集中得到进一步发展。曼布里诺的头盔体现了现代社会对感官掌握现实的能力的彻底怀疑,而《苦役牢里的奴隶》这一集则是对自传写作的讽刺。塞万提斯描绘了一个16世纪的读者认为是他自己的社会,在这个社会里,希内斯德帕萨蒙特,一个下层的狡猾的罪犯和作家,代表了新一代的作家,他们打破了文艺复兴时期模仿的束缚。作者希内斯(Gines)的社会地位的下降似乎伴随着创造力的增强和作者重要性的提高。这一集是对创造新的体裁的沉思,比如风景如画的,不是从经典中衍生出来的,而是从经验中衍生出来的,以及透视主义的主题。
课程简介: Important meditations about the nature of literature and the real take place in the chapters commented on in this lecture. Reality appears strange enough even to Don Quixote in the episode of the corpse, where death becomes a presence. Don Quixote appears aware that his adventures are being written as we read them. His relationship with his squire is further developed in the episode of the fulling hammers. Mambrino's helmet exemplifies the modern radical doubt about the power of the senses to grasp reality, while the episode of the galley slaves represents a satire of autobiographical writing. Cervantes portrays a society that the sixteenth-century reader recognized as his own, in which Ginés de Pasamonte, a low-class slippery criminal and author, represents the new generation of writers who break with the strictures of Renaissance mimesis. The descent in social status of the author, Ginés, appears to be accompanied by an increase in inventiveness and a rise in the importance of the author. This episode is a meditation on the creation of new genres, such as the picturesque, not derived from the classics but from experience, as well as on the topic of perspectivism.
关 键 词: 堂吉诃德; 塞万提斯; 新文体; 小说
课程来源: 视频讲座网
最后编审: 2019-10-29:cwx
阅读次数: 48