图 书 馆
剖析佳能：艺术研究中的视觉主体共同网络Dissecting the Canon: Visual Subject Co-Popularity Networks in Art Research |
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| 课程网址: | http://videolectures.net/cvss08_schich_dtcvs/ |
| 主讲教师: | Maximilian Schich |
| 开课单位: | 日本东北大学 |
| 开课时间: | 2008-10-21 |
| 课程语种: | 英语 |
| 中文简介: |  |
| 课程简介: | In Art History and Archaeology scholars use documents to study objects together with their meaning, related people, locations, times and events. Within this effort Art History has been defined as the 'history of all man-made things' (Kubler, 1962), which implies a focus on the dynamics of interrelated objects – the growth of what can be seen as the 'coral reef of culture' (Gombrich, 1979). An important question in this domain is the definition or emergence of canon, i.e. the set of most popular objects, which everybody knows or supposedly should know in a given area – such as Da Vinci’s 'Mona Lisa' and Botticelli‘s 'Venus' in painting or the 'Colosseum' and the 'Pantheon' in architecture. In our talk we show that canons are identical with the most popular items over a distribution of popularity, which happens to be highly heterogeneous. As a consequence we can explore the meaning of canon by looking at the co-popularity of visual objects in general, no matter if the objects belong to the head or the tail of the popularity distribution. |
| 关 键 词: | 艺术史; 佳能; 蒙娜丽莎 |
| 课程来源: | 视频讲座网 |
| 最后编审: | 2020-10-22：chenxin |
| 阅读次数: | 68 |