演出结束后会发生什么?论后代表性策划What comes after the show? On post-representational curating |
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课程网址: | http://videolectures.net/scca_sternfeld_ziaja_curating/ |
主讲教师: | Nora Sternfeld; Luisa Ziaja |
开课单位: | 维也纳美术学院;维也纳应用艺术大学 |
开课时间: | 2011-05-20 |
课程语种: | 英语 |
中文简介: | 20世纪90年代以来,展示理论出现了“反身性转向”,所有的展示和表现条件以及与之相关的制度逻辑类型都成为焦点。 在这些或多或少深入的体制批评和对生产条件的分析之后,近年来,该领域的一个高级领域越来越多地提出了策展机构的问题。 即使假设批评没有外部立场,他们仍然问:“怎么办?” 它经历了各种解构的转折。 讲座将追溯这些解构的转折,并将它们与过去几十年视觉和表演艺术的发展联系起来,这些发展不仅质疑具象,而且挫败和削弱了其逻辑。 在这种情况下,它会问,戏剧后戏剧和后写实艺术在展览的形式上投下了什么样的阴影,以便以不同的方式思考策展人的行为。 |
课程简介: | From the 1990s onwards, there was a "reflexive turn" in exhibition theory, in which all the conditions of exhibiting and representing and the associated types of institutional logic have come into focus. Following those more or less thorough institutional critiques and analyses of the conditions of production, in recent years an advanced segment of the field has increasingly been raising the question of curatorial agency. Even presuming there is no external standpoint for criticism, they nevertheless asked the question "What is to be done?" and it underwent a variety of deconstructive turns. The lecture will trace these deconstructive turns and will relate them to developments in the visual and performative arts of the last decades that have not only questioned the representational but thwarted and undercut its logic. In this light it will ask what kind of shadows post-dramatic theatre and postrepresentational art have shed on the format of the exhibition in order to think the very act of the curatorial differently. |
关 键 词: | 后代表性策划; 反身性转向; 展示理论 |
课程来源: | 视频讲座网 |
数据采集: | 2021-10-07:zkj |
最后编审: | 2021-10-15:zkj |
阅读次数: | 72 |