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Lecture 17 - Don Quixote, Part II: Chapters XXII-XXXVLecture 17 - Don Quixote, Part II: Chapters XXII-XXXV |
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| 课程网址: | http://videolectures.net/yalespan300f09_echevarria_lec17/ |
| 主讲教师: | Roberto González Echevarría |
| 开课单位: | 耶鲁大学 |
| 开课时间: | 2012-09-28 |
| 课程语种: | 英语 |
| 中文简介: | 本讲座涵盖了吉诃德第二部分最重要的两集：下降到蒙特西诺斯山洞和彼得大师的木偶戏。第一部分，一方面涉及小说的主要文学主题和来源。塞万提斯通过将唐吉诃德的幻想提交给自然法，质疑对骑士精神的真实性以及他的主角所看到的现实的信念。这一集还让我们可以看到堂吉诃德的潜意识的内在运作：他的下降是对自己的严酷审视，虽然没有完全摧毁他的信仰，但却严肃地削弱了他们，从现在开始，他将采取行动。彼得大师的木偶戏再次介绍了GinésdePasamonte，这位角色代表了小说两部分中现代作家的形象。随着Ginés现在伪装成一名木偶大师，塞万提斯批评他的当代剧作家Lope de Vega，但最重要的是，通过木偶剧构成的复杂错视行为，塞万提斯分析了模仿的行为。 |
| 课程简介: | This lecture covers two of the most important episodes of Part II of the Quixote: the descent into Montesinos cave and Master Peter's puppet show. The first one, on the one hand, engages the main literary topics and sources of the novel. Cervantes, by submitting Don Quixote's fantasies to natural law, questions the belief in the authenticity of the romances of chivalry and the reality of what his protagonist sees. The episode also provides a glimpse into the inner workings of Don Quixote's subconscious: his descent is a harsh look onto himself which, while not completely destroying his beliefs, weakens them seriously, and from now on he will act saner. Master Peter's puppet show introduces again Ginés de Pasamonte, the character who represents the figure of the modern author in both parts of the novel. With Ginés now disguised as a master puppeteer, Cervantes criticizes his contemporary playwright Lope de Vega, but most importantly, through the complex trompe-l'oeil that the puppet show constitutes, Cervantes analyzes the act of mimesis. |
| 关 键 词: | 信息不详。欢迎您在右侧留言补充。 |
| 课程来源: | 视频讲座网 |
| 最后编审: | 2020-06-04：张荧(课程编辑志愿者) |
| 阅读次数: | 29 |