诗歌研究:性别与抒情--文艺复兴时期男女写作关于爱情的研究21L.704 Studies in Poetry: Gender and Lyric -- Renaissance Men and Women Writing about Love |
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课程网址: | http://ocw.mit.edu/courses/literature/21l-704-studies-in-poetry-g... |
主讲教师: | Prof. Mary Fuller |
开课单位: | 麻省理工学院 |
开课时间: | 信息不详。欢迎您在右侧留言补充。 |
课程语种: | 英语 |
中文简介: | 本次研讨会的核心是威廉·莎士比亚,菲利普·西德尼,埃德蒙·斯宾塞和玛丽·沃罗斯所写的英国爱情十四行诗。这些诗歌涵盖了大量的审美和心理基础:从完全主观到完全公共或传统,从合法到禁止的欲望,它们也可以作为一个实验手册,利用声音,节奏和形象的资源。诗歌。围绕这些序列,我们将使用文艺复兴时期的文本和现代叙述来发展其他几种语境:Petrarchan文学传统(Francis Petrarch和Sir Thomas Wyatt的诗歌);爱情诗的社会,政治和伦理用途(诱惑,成名,影响政策,提升道德,补偿失败);关于理想男性气质和女性气质的其他说明(行为手册,性别和解剖学理论);和十六世纪晚期对爱情诗歌的时尚的其他限制:叙事诗,色情诗,不起作用的诗。 |
课程简介: | The core of this seminar will be the great sequences of English love sonnets written by William Shakespeare, Philip Sidney, Edmund Spenser, and Mary Wroth. These poems cover an enormous amount of aesthetic and psychological ground: ranging from the utterly subjective to the entirely public or conventional, from licit to forbidden desires, they might also serve as a manual of experimentation with the resources of sound, rhythm, and figuration in poetry. Around these sequences, we will develop several other contexts, using both Renaissance texts and modern accounts: the Petrarchan literary tradition (poems by Francis Petrarch and Sir Thomas Wyatt); the social, political, and ethical uses of love poetry (seduction, getting famous, influencing policy, elevating morals, compensating for failure); other accounts of ideal masculinity and femininity (conduct manuals, theories of gender and anatomy); and the other limits of the late sixteenth century vogue for love poetry: narrative poems, pornographic poems, poems that don't work. |
关 键 词: | 英语爱情诗歌; 威廉莎士比亚; 彼特拉克的文学传统 |
课程来源: | 麻省理工大学公开课 |
最后编审: | 2015-11-23:cmh |
阅读次数: | 40 |